Kalidasu (Sushant) turns orphan after his father (Nagababu), who was a sincere police officer dies in the hands of a factionist contractor (GV) in Rayalaseema. Kalidasu in turn kills that contractor and escapes from the place and reaches Guntur. A fruit vendor Kanakadurga (Jayasudha) brings him up though she had a son called Jayadev (Vamsikrishna). Kalidasu decides to help Kanakadurga financially as she was in a debt trap and turns a car-lifter. He gets support from Baba (Chalapati Rao) and his son Basha (Sunil) becomes one of Kalidasu's best friends. When Dev wants to pursue his studies in Hyderabad, Kalidasu sends him to Hyderabad. After meeting Dev in Hyderabad, Kalidasu lifts a car to return to Guntur in which a girl hides. On being asked she pretends as if she is mentally challenged and tells him that her name is Mirchi (Tamanna). But Kalidasu did not believe her. His belief proved correct as some goons led by Pratap (Vinodkumar) and Ajay (Ajay) take her away by killing Basha. Kalidasu goes in search of Mirchi after finding Dev's photo in her mobile, only to find that he was already killed by Pratap and his men and the reason behind it is the instigation by a political leader (Rajan P Dev) and Mirchi's original name is Archana and she is a rich girl. Pratap is after her property and want to bequeath her property by getting her married to Ajay. How Kalidasu took revenge against the killing of his best friend Basha and a brother-kind of boy Dev form part of the climax.
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The film revolves around Vara Prasad and Potti Prasad and their so called desperate attempt to woo a girl of their dreams. The problem is that both like the same girl but eventually only one will win her heart. The story sums up as the struggle of these characters to do anything possible to make the girl their own. But, who wins the girl finally and what happens to the other takes us to the climax. The film stars Srinivas Avasarala, Vijay Sai , Priyanka & Priya Ahuja.
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Super Hit Comedy movie Masti (2004) Synopsis: Women are supposed to be from Venus, men from Mars, marriages are supposed to be made in heaven, but they become hell here on earth! This is a story of three friends Meet, Amar & Prem who believe that whoever said that marriage is a lovely institutions, should be sent to a mental institution! Meet, whose name means lover in hindi language! Marriage changed his entire cool and stud lifestyle as his wife Aanchal made it a point to tame him down and make sure that her husband cooled his heels at home rather than painted the town red! Basically she domesticated her husband and made him become a boring man from the cool dude he used to be! Prem! Jealous of Meet s success with women since his college days, Prem always tries to phenko on how he scored with various women! But his friends know him too well to be fooled! His parents force him to marry and to his dismay, his wife Geeta turns out to be an extremely decent, sweet, innocent and pativrata woman! Instead of someone sexy, he gets a wife who would rather press his feet than you know what! So in short His life has no spice or excitement! Amar is complete phattu of the three friends! Even when he married his wife Bindiya, it was she who made all the moves and since then she controls all his strings! He is terrified of her and his biggest problem is that she has brought her equally dominating mother to live with them! So when these three buddies meet up after three years for a re ...
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The cast and the crew of Krantiveer - The Revolution enjoy the pre-release party of their film.
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**Lyrics** [Drake] I feel good I got some time off, Girl its been so long Did you have fun? 'cause Ima need a cab just to get me home And maybe you can call in sick And bring you to the crib and get all this, all this I know, I know I'm blunt, but how real is that? You want that feeling back? [Tyga] Probably one of my realest loves ever Four page letters, and time is all better 'Cause time heal whatever Ima need a moment 'cause moments last forever Cars with cream leather, Females are on a regular What's the point in titles, we liking it how they tell us I'd rather stay friend with benefits till we ready Now ready, Sean Don got me feeling heavy She like "one more chance", more problems no biggie ah It's all good don't take it the wrong way Ain't nothing personal, but who this nigga in your face? We can leave together or give eachother space The night young, we should head over to my place Ha, now we laughing and all that (all that) Tell your friends they can fall back (fall back) Ain't even gotta ask twice She said what you feeling like? [Drake] I feel good I got some time off, Girl its been so long Did you have fun? 'cause Ima need a cab just to get me home And maybe you can call in sick And bring it to the crib and get all this, all this I know, I know I'm blunt, but how real is that, You want that feeling back? Well you should know I still got it for ya, I still got it for ya [x3] And even though we let it go, it's better that you know I still got it for ya, I still ...
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Siddharth (Arjun) works as a General Manager of a five - Star Hotel owned by S.Ve Sekhar and his daughter is Lara , a foreign returned and an employee in the same hotel. Siddharth and Lara fall for each other. He has another face too. He murders all criminal lawyers who appear for the thug, corrupt politicians and other anti socials elements. First he murders cleverly the famous criminal lawyer Anadaraj who appears for a goonda by hitting him with a cricket ball and the police close the file as a case of accident. Then it was Saranraj's turn. He also gets killed and Nazar, an army Major is a witness to it. The killing spree continues. Lawyer Devan becomes the next in his target. Siddharth caught red-handed by Nazar is forced to narrate why he turned ruthless against all lawyers who misuse the law. The story unfolds in a flash back. His father (director P.Vasu) was an upright and honest judge who was brutally murdered by a local goon and contractor Muthupandi (Rajan.P.Dev) in a running train while he tries to appear on a case against the thug. His mother also dies in the attack and his only sister (Abhitha) escapes. Criminal lawyer (Devan) appears in the case and helps Muthupandi and his men to come out of the case. This incident makes Siddharth to become fixated to provide 'instant justice' to lawyers who argue and win cases of criminals. (So the catch line -- 'When Justice fails...' is justified). One day a lawyer from Delhi (Raghuvaran) comes to defend a rapist, as ...
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Janani (2006) a family drama movie Synopsis: Janani... is story of a woman's natural desire to be a mother and a mother's ultimate sacrifice for her child. Urmila (Ayesha Julka) an enterprising young woman, who runs a toy company, is happily married to Raj (Mohnish Behl), a businessman with interest in real estate. However when their young son Rahul (Vineet Raina) falls in love with Neha (Sonica Handa) and the young lovers decide to marry, Urmila and Raj initially agree but unanimously put their foot down against the marriage when they know about Neha's parents. Who are Neha's parents? What prompted this couple to deny their only son's wish? What is that secret of Neha that the couple is holding onto??? Akanksha (Bhagyashree), who lives happily along with husband Tarun (Aman Verma), son Rahul (Master Smith Shah) and mother-in-law (Anjana Mumtaz), had been more of a friend than just an assistant to Urmila. So, when Rahul was diagnosed with brain tumor and an expensive operation seemed the only cure, Raj and Urmila pay for the operation. Later when Akanksha goes to thank Raj and Urmila, she overhears the silent moans of the couple that cannot bear a child because of certain medical disorders with Urmila. Akanksha decides to gift the couple what they desire most; as a payback for saving her child but later disappear from the city with her family. What was that gift she gave to her friend Urmila? Why did she break off all ties with Urmila and Raj after giving them her all ...
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Yadagiri (R Narayana Murthy) is a working under local landlord (Vijayaranga Raju). That landlord used to harass the people of the village and treat every village as a bonded labour to him. He usurps the properties of the people and amasses huge wealth and commands the entire village. Even he doesn't allow the children to go to school and become literate and makes them to work in his backyard. At this juncture, Andhra Maha Sabha emerges from the Communist Party of India and the leaders gives a call to the people to revolt against the landlord and also against the Nizam. The CPI leaders exhort the people that they need not pay any tax on their land and take away the yield to their homes instead of sending them to the landlord's house. This irks the landlord who complains to the Nizam Nawab that the people are revolting against the government and is avoiding payment of tax. So the Nizam Nawab tells his military commander to crush the movement. The military commander, who was a Muslim, starts killing people mercilessly and in addition to the government military, he prepares a group of private army called Razakars and incites them to kill people, who talk against the Islam religion and the Nizam Nawab. Once a youth takes part in a procession called by Andhra Maha Sabha and succumbs to a bullet injury from the landlord's sister. Landlord orders that nobody should touch the dead body and no one should help in cremating him. But Yadagiri, who was going by that way helps the woman ...
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1) Prachand Nemi"s havan is on high point.Tribhuvan is confused .Prachand promises him defeat of Shrinath.Tribhuvan visualizes how Shrinath's family & dead child's mother are in panic state. 2) In bedroom Shrinath is very disturbed....he remembers unhappy moments .how the woman was cursing him for killing her son.he remembers how the woman and the man were pleading for his blessings to cure their child.he gets more upset and leaves the bedroom 3)Shrinath leaves havelli, Kaladhar follows him but he cannot find him.he gets confused,he doesnt understand who has gone out of the house.he runs towards Rageshwari's bedroom 4)Rageshwari n Kaladhar gets shocked when they dont find Shrinath in bedroom.Rageshwari leaves the havelli in order to find Shrinath.Kaladhar realizes that Shrinath n Rageshwari had gone out of the protection shield given by Mata Parvati .he also leaves the havelli to find them 5)In village Rageshwari is searching Shrinath n praying to lord Ganesh 6)Kaladhar comes out of the door in corridor and gets upset for not finding his parents there.he realizes how Prachand Nemi will get a chance to kill Shrinath n Rageshwari. 7) In Brahmalok Narad narrates Brahma, Prachand Nemi"s plan to kill Kaladhar,Shrinath,Rageshwari out of Mata Parvati's protection shield.Brahma calms him n assures him that everything will be alright. 8)Kaladhar changes into Bal Ganesh n remembers Mata Parvati.he tells her his problem and feels sorry for not saving his paren's life as he is ...
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Etude No. 7 in E-flat major "L'incendie au village voisin" (Fire in the Neighboring Village) from the 12 Etudes in all the Major Keys Op. 35 (1847) Quoted from Ronald Smith's Alkan, The Man, The Music: "L'incendie au village voisin is an unclassifiable extension of the genre, a kind of free-ranging, pictorial fantasy akin to the Lisztian symphonic poem of the succeeding decade. The occasional excursion into a more extravagant realism, with its inescapable twang of silent film music, falls uncomfortably on modern ears and has thrown even Alkan's staunchest admirers into disarray. 'A flat style' declares the French musicologist Georges Beck, 'and effects that are mere noise.' Could this writer have ever strayed upon a pioneering essay on the composer in Bernard van Dieren's Down among the Dead Men (1935) in which the piece is described as 'an exquisite tone painting like one of the movements in Harold in Italy'? Three years earlier Sorabji had also praised it as 'very remarkable; most original in form.' All the same, L'incendie, perhaps more than any other of Alkan's important compositions, demands the most persuasive artistry to fulfil such claims. In lesser hands it will sound faded, shallow, naive, its turbulences turned to bombast. The work opens quietly, expansively. A gentle song of the countryside, marked 'amoroso', steals reassuringly on the ear. Romantic modulations colour the landscape. Nothing it seems can disturb the pastoral calm; not even the distant menace of ...
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